Swing jazz charts written for three horns by Henry Francis and currently used by The Swing Legacy are for sale at $25 each ($20 each for 5 or more). Several different payment options are available.
These original idiomatic 3-horn swing jazz arrangements (for trumpet, alto sax, tenor sax, piano, bass, drums) produce a very full sound, simulating a big band, and make the group sound larger than six pieces. The charts also maintain a high level of musical excitement throughout each number, especially by providing written instrumental backing behind most of the improvised jazz solos.
The table below lists the arrangements with individual details.
You can listen to audio samples from some of the charts. In addition, there are digital recordings of about 70 charts (ask for list), which are for sale as MP3 files at $1 per track, via CD or e-mail.
We welcome inquiries (henry
swinglegacy.com or 781-259-9007) about any of the charts before buying, as well as any questions after delivery.
Their original arrangements create a much larger sound than the number of players would imply. The instrumental background to most of the jazz solos gives great depth — a truly BIG small-band sound.
— Ted Belastock, Quarter Notes, September 2001
The sound is much fuller than the lineup suggests because of the arrangements of leader/pianist Henry Francis, who has clearly studied his craft well.
— Shaun Dale, JazzReview.com
The charts function very well. I've used them on several different gigs, and
the response is overwhelming. Good job!
— Bjarte Mortensen, Tromso, Norway
The Swing Legacy is a six-piece jump band featuring well-conceived arrangements by leader and piano player Henry thins Francis, which make the band sound much bigger than they are, a lot like the John Kirby Sextet of 1938-41.
— Dave Nathan, All Music Guide (on the Internet)
Its leader, Henry “thins” Francis, has provided the band with arrangements to make the group sound much larger than it is.
— Russ Chase, IAJRC (International Association of Jazz Record Collectors) Journal, Winter 2000
Six parts will be provided: trumpet, alto sax, tenor sax, piano, bass, and drums. Both sax parts often switch to clarinet (of course, the clarinet parts can also be played on soprano sax). Piano and bass are usually written on one part.
All scores and parts are in the form of Finale files. Finale is a widely used music notation and publishing software program from MakeMusic. It’s powerful, endlessly flexible, and highly recommended. MakeMusic also offers two simpler and less expensive programs, Allegro and PrintMusic. Sibelius can also import Finale files.
The arrangements are available as (1) Finale files of both the score (4 staves) and the parts, (2) PDF files of the parts, or (3) hard-copy parts. If you have Finale (or an equivalent program), you can extract the parts from the Finale score file, and then print them in your own preferred format. Finale files can be sent as e-mail attachments.
Transposition of any of the three horn parts to another instrument is an easy task with Finale (or any of the other MakeMusic programs). For example, the tenor sax part could be transposed to trombone. Or, the tenor sax part could be transposed to baritone sax, which would give a more robust bottom to the ensemble, as well as a more Ellingtonian sound.
All these arrangements are copyrighted by Henry Francis.
Here’s some more information about the charts, which may be useful.
And here’s an illustrative sample of a part:
Only selected arrangements are listed in this table. For a complete list, see the repertoire page.
The Association column lists the band or performer with whom the number is most closely associated.
The Tempo column lists the approximate tempo used by The Swing Legacy in beats per minute (bpm).
The Instrumentation column lists the particular horns used in the chart. Instrument abbreviations: TP-trumpet, AS-alto sax, TS-tenor sax, CL-clarinet, SS-soprano sax. TS+CL means that the tenor player doubles on clarinet.
Title |
Association |
Tempo (bpm) |
Instrumentation |
Comments |
Azure |
Ellington |
71 |
TP/AS/TS+CL |
Adaptation of 1937 Ellington chart. |
Warm Valley |
Ellington |
72 |
TP/AS/TS |
Adaptation of 1940 Ellington chart. |
Mood Indigo |
Ellington |
75 |
TP/AS/CL+TS |
|
Transblucency |
Ellington |
77 |
TP/CL/TS+CL |
|
Echoes Of Harlem |
Ellington |
87 |
TP/AS/TS |
Plunger trumpet feature a la Cootie Williams. |
Satin Doll |
Ellington |
90 |
TP/AS/TS |
|
Chelsea Bridge |
Ellington |
93 |
TP/AS+CL/TS+CL |
Adaptation of 1941 Strayhorn chart. |
Don't Get Around Much Anymore |
Ellington |
102 |
TP/AS/TS |
Adaptation of 1940 Ellington chart (Never No Lament). |
Happy-Go-Lucky Local (aka Night Train) |
Ellington |
104 |
TP/AS+CL/TS |
Adaptation of 1946 Ellington chart. |
I'm Beginning To See The Light |
Ellington |
104 |
TP/AS/TS |
|
Just A-Settin' and A-Rockin' |
Ellington |
112 |
TP/AS+CL/TS |
Adaptation of 1941 Ellington/Strayhorn chart. |
Things Ain't What They Used To Be |
Ellington |
114 |
TP/AS/TS |
Adaptation of 1942 Ellington chart. |
In A Mellotone |
Ellington |
134 |
TP/AS/TS |
Adaptation of 1940 Ellington chart. |
Perdido |
Ellington |
146 |
TP/AS+CL/TS+CL |
Adaptation of 1941 Ellington chart. |
Back Room Romp |
Ellington |
152 |
TP/AS+SS/TS |
Transcription of 1937 Ellington small-group chart. |
It Don't Mean A Thing ... |
Ellington |
178 |
TP/AS/TS |
Adaptation of 1945 Ellington chart. Requires strong lead trumpet. |
Johnny Come Lately |
Ellington |
178 |
TP/AS+CL/TS |
Adaptation of 1942 Strayhorn chart. |
Take The A Train |
Ellington |
180 |
TP/AS/TS |
Adaptation of 1941 Strayhorn chart. |
C Jam Blues |
Ellington |
188 |
TP/AS+CL/TS |
Adaptation of 1941 & 1942 Strayhorn charts. |
Drummer's Delight |
Ellington |
198 |
TP/AS/TS+CL |
Transcription of 1938 Ellington small-group chart. Drum feature. |
Menelik, The Lion Of Judah |
Ellington |
200 |
TP/AS/TS |
Transcription of 1941 Ellington small-group chart. |
Ring Them Bells |
Ellington |
218 |
TP/AS/TS |
Transcription of Ellington chart. |
Li'l Darling |
Basie |
73 |
TP/AS/TS |
Adaptation of Basie (Hefti) chart. |
Splanky |
Basie |
120 |
TP/AS+CL/TS+CL |
Adaptation of Basie (Hefti) chart. |
Shiny Stockings |
Basie |
122 |
TP/AS/TS+CL |
Adaptation of Basie (Foster) chart. Requires strong lead trumpet. |
Straight Life |
Basie |
126 |
TP/AS+CL/TS+CL |
Adaptation of Basie (Mandel) chart. |
Low Life |
Basie |
126 |
TP/AS/TS |
Adaptation of Basie (Mandel) chart. |
Moten Swing |
Basie |
130 |
TP/AS/TS |
Adaptation of 1957 Basie (Wilkins) chart. Requires strong lead trumpet. |
April In Paris |
Basie |
135 |
TP/AS/TS |
Adaptation of Basie (Davis) chart. Requires strong lead trumpet. |
Blues In Hoss' Flat |
Basie |
138 |
TP/AS/TS |
Adaptation of Basie (Foster) chart. |
Corner Pocket |
Basie |
142 |
TP/AS/TS |
Adaptation of Basie chart. |
Jive At Five |
Basie |
150 |
TP/AS/TS+CL |
|
Rock-a-Bye Basie |
Basie |
172 |
TP/AS/TS |
Adaptation of 1939 Basie chart. |
Love Jumped Out |
Basie |
177 |
TP/AS/TS+CL |
Adaptation of Basie (Clayton) chart. |
Kansas City Boogie Woogie |
Basie |
186 |
TP/AS/TS+CL |
Adaptation of Basie "Boogie Woogie" chart and its variants. |
Taps Miller |
Basie |
190 |
TP/AS+CL/TS+CL |
Adaptation of Basie (Clayton) chart. |
One O'Clock Jump |
Basie |
190 |
TP/AS/TS |
Adaptation of various Basie Old Testament versions. |
One O'Clock Jump |
Basie |
190 |
TP/CL/TS |
Transcription of 1950 Basie septet chart. |
Taxi War Dance |
Basie |
208 |
TP/AS/TS |
Adaptation of 1939 Basie chart. |
Super Chief |
Basie |
214 |
TP/AS/TS |
Adaptation of 1940 Basie chart. |
Tickle-Toe |
Basie |
215 |
TP/AS+CL/TS |
Adaptation of 1940 Basie chart. |
Whirly-Bird |
Basie |
238 |
TP/AS/TS |
Adaptation of Basie (Hefti) chart. Requires strong lead trumpet. |
Jumping At The Woodside |
Basie |
250 |
TP/AS/TS |
Adaptation of Basie chart. |
Moonlight Serenade |
Miller |
78 |
TP/CL/TS+CL |
Adaptation of Miller chart. |
Tuxedo Junction |
Miller |
114 |
TP/AS/TS |
Adaptation of Miller chart. |
A String Of Pearls |
Miller |
124 |
TP/AS/TS |
Adaptation of Miller chart. |
In The Mood |
Miller |
164 |
TP/AS/TS |
Adaptation of Miller chart. Incorporates parts of Ellington's "Jack the Bear". |
Don't Be That Way |
Goodman |
160 |
TP/AS/TS |
|
Stomping At The Savoy |
Goodman |
160 |
TP/AS/TS |
Adaptation of 1934 Webb chart. |
Christopher Columbus |
Goodman, Henderson |
190 |
TP/AS+SS/TS |
Adaptation of 1936 Henderson chart. |
A Smooth One |
Goodman |
190 |
TP/AS+CL/TS |
Adaptation of 1941 Calloway chart. |
Sing Sing Sing |
Goodman |
215 |
TP/AS+SS/TS+CL |
Adaptation of Goodman chart. Clarinet and drum feature. |
Up Jumped You With Love |
Fats Waller |
130 |
TP/AS/TS+CL |
|
Lounging At The Waldorf |
Fats Waller |
180 |
TP/AS+CL/TS+CL |
|
Misty |
|
74 |
TP/AS/TS |
|
Summertime |
|
75 |
TP/AS/TS+CL |
|
I Can't Get Started |
Bunny Berigan |
77 |
TP/AS+CL/TS+CL |
Trumpet feature. |
My Funny Valentine |
|
80 |
TP/AS/TS |
|
Moon River |
|
96 |
TP/AS+CL/TS+CL |
In 3/4 time. |
The Duke |
Dave Brubeck |
104 |
TP/AS/CL |
Trumpet part has some high passages. |
New York, New York |
|
128 |
TP/AS/TS |
|
Fish For Supper |
Lips Page |
132 |
TP/AS/TS |
Unison band vocal. |
The Girl From Ipanema |
|
134 |
TP/AS+CL/TS+SS |
Bossa Nova, 4/4, or both. |
Sesame Street |
|
138 |
TP/AS+CL/TS+CL |
Trumpet part has a few high passages. |
Cutting The Campus |
John Kirby Sextet |
164 |
TP/AS/CL |
Transcription of John Kirby Sextet chart. |
You Took Advantage Of Me |
|
166 |
TP/AS+CL/TS |
Incorporates parts of Ellington's "Pussy Willow". |
Drum Boogie |
Gene Krupa |
172 |
TP/AS/TS |
Drum feature. |
Topsy |
Cozy Cole |
176 |
TP/AS/TS |
Mostly from Cozy Cole's 1958 hit record. Drum feature. |
Santa Claus Is Coming To Town |
|
190 |
TP/AS+CL/TS |
Morphs from "Santa Claus" to "Rock-a-Bye Basie". |
Hoof It |
|
192 |
TP/AS/CL |
Includes a rap-type vocal about Lindyhop dancing. |
Sweet Georgia Brown |
|
192 |
TP/AS/TS+CL |
|
Flying Home |
Lionel Hampton |
194 |
TP/AS/TS |
Adaptation of 1942 Hampton chart. |
Title |
Association |
Tempo (bpm) |
Instrumentation |
Comments |
Sophisticated Lady |
Ellington |
68 |
TP/AS+CL/TS |
Vocal feature. Key of Bb to Ab. |
Summertime |
|
75 |
TP/AS/TS+CL |
Vocal feature. Key of Cm. |
Black Coffee |
|
77 |
TP/AS+CL/TS+CL |
Vocal feature. Key of Db. Partially from Lunceford's 1940 "What's Your Story, Morning Glory?". |
Some Other Spring |
Billie Holiday |
78 |
TP/AS/TS |
Vocal feature. Key of Ab. |
Just Squeeze Me |
Ellington |
98 |
TP/AS/TS |
Vocal feature. Key of Ab. |
Willow Weep For Me |
|
99 |
TP/AS+CL/TS+CL |
Vocal feature. Key of C. |
Blue Moon |
|
100 |
TP/AS/TS |
Vocal feature. Key of Bb. |
These Foolish Things |
|
100 |
TP/AS+CL/TS+CL |
Vocal feature. Key of Ab. |
I'm Beginning To See The Light |
Ellington |
104 |
TP/AS/TS |
Vocal feature. Key of D. |
Every Day I Have the Blues |
Basie/Joe Williams |
104 |
TP/AS/TS |
Vocal feature. Key of Ab. Adaptation of Basie (Wilkins) chart. Requires strong lead trumpet. |
They Can't Take That Away From Me |
|
105 |
TP/AS+CL/TS+CL |
Vocal feature. Key of Bb. |
Fly Me To the Moon |
Frank Sinatra |
118 |
TP/AS/TS |
Vocal feature. Key of F. Adaptation of Quincy Jones chart. |
The Late Late Show |
Nat King Cole |
126 |
TP/AS/TS |
Vocal feature. Key of Db. |
Opus One |
Tommy Dorsey |
126 |
TP/AS/TS |
Vocal feature. Key of Db. |
All Right, Okay, You Win |
Basie/Joe Williams |
132 |
TP/AS/TS |
Vocal feature. Key of Bb. Adaptation of Basie/Williams chart. |
Moondance |
Van Morrison |
134 |
TP/AS/TS |
Vocal feature. Key of Cm. |
Sent For You Yesterday |
Basie/Jimmy Rushing |
166 |
TP/AS/TS |
Vocal feature. Key of Eb. Adaptation of Basie chart. |
Choo Choo Ch' Boogie |
Louis Jordan |
174 |
TP/AS/TS |
Vocal feature. Key of C. Transcription of Jordan chart. |
S Wonderful |
|
190 |
TP/AS/TS |
Vocal feature. Key of Ab to Bb. |
Sweet Georgia Brown |
|
192 |
TP/AS/TS+CL |
Vocal feature. Key of C. |
Undecided |
|
200 |
TP/AS/TS |
Vocal feature. Key of F. |
I'm Walking |
Fats Domino/Ella Fitzgerald |
216 |
TP/AS/TS |
Vocal feature. Key of Db. |
I Got Rhythm |
|
250 |
TP/AS/TS+CL |
Vocal feature. Key of C. |